Although we are closed for public tours until Spring 2018, we are not closed for visitation! The 1730 Conant House is open Tuesday-Friday, 11 am to 2 pm for self-guided tours to see our exhibit, “Falmouth: Changing with the Times”. Additionally, the Museums on the Green offers a full range of adult and family programs, including our 2018 Lecture Series. Costs to most lectures are $ 5 for members and $ 8 for non-members, and are held at our Cultural Center, 35 Katharine Lee Bates Road, Falmouth. We also offer historical trolley rides on Wednesdays during the fall (reservations required), and in the Spring, walking tours of Falmouth on Tuesday and Thursday mornings at 10 am (weather permitting).
You can also save money on our lectures by purchasing a 2018 Season Pass!
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Noah Isenberg, “We’ll Always Have Casablanca: The Life, Legend and Afterlife of America’s Most Beloved Movie”
October 7, 2017 @ 2:00 pm - 3:00 pm
Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ”
We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).
Finally, Isenberg turns to Casablanca’s long afterlife and the reasons it remains so revered. From the Marx Brothers’ 1946 spoof hit, A Night in Casablanca, to loving parodies in New Yorker cartoons, Saturday Night Live skits, and Simpsons episodes, Isenberg delves into the ways the movie has lodged itself in the American psyche.
Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.